The ongoing series unfolds through the superimposition of two distinct grid systems. The first, drawn in pencil, establishes a structural foundation whose scale, rhythm, and placement are intentionally varied. This controlled instability creates the ground for dialogue rather than uniformity. Onto this base, a second, deconstructed grid is introduced with acrylic markers, fractured and reconfigured through shifts, ruptures, and overlaps.

The act of layering generates both harmony and tension. The grids collide, intersect, and dissolve into one another, producing a visual field where stability is unsettled and new spatial conditions emerge. Here, the grid is no longer a fixed, rational order but a dynamic surface of transformation.

By foregrounding layering and void, the work engages questions of structure, presence, and absence. Voids function not as passive gaps but as active agents that interrupt, fragment, and reorient perception.

As part of the ongoing project Anatomy of Voids, the series extends a broader inquiry into how repetition, displacement, and rupture can push the grid beyond its conventional boundaries. The lattice becomes a site of negotiation—between order and dislocation, presence and absence, structure and dissolution.